He warns her that Warhol treats her as a prop and that she should be furious with him. When Sedgwick loudly proclaims, “I can’t be mad with him,” the Dylan-esque character tells her sadly, “You’re afraid to lose everything that doesn’t mean anything.” Under pressure to make a choice, she makes the wrong one and unfortunately lives to regret it. When her parents’ object to her friends and life style, she is cut off only to find that her “friends” (including Warhol) used her and when she suddenly was out of style, simply discarded her. In no time flat Sedgwick, who has developed a speed and heroin addiction, is degrading herself and out on the street. The celebrated 1960’s personality tragically predicted that she would not see her 30th birthday and she was correct, dying of a drug overdose when she was 28. The film does not cast Warhol in a positive light and Pierce’s quirky performance helps cement that point.
Miller radiates on screen as Sedgwick, with a virtuoso performance that surely would have merited Oscar buzz if the film had been released last year. Both Hayden and former SNL alum, Jimmy Fallon, who acquits himself in a rare dramatic turn, also registered positive supporting performances.
No comments:
Post a Comment